9/17/2023 0 Comments Black stripes film 35m![]() ![]() and you’ll want the skills to correct or mitigate these issues. ![]() Old 35mm slides will have scratches, blemishes, color casts, etc. However, photo-retouching does require a bit of knowledge. It is not a technically challenging task to operate a consumer-grade flatbed scanner. After researching my options and looking at reviews, I chose the Epson Perfection V600 scanner.Īnd lastly, I had the time, patience, and the skills for this DYI project. This was a good opportunity to upgrade to a modern, supported, and more capable replacement. So, it didn’t make sense to keep investing in the old scanner, especially since it lacked the ability to scan film negatives or slides. And it was doubtful the drivers that I bought for Windows 7 would also work under Windows 10. My old scanner was so ancient it required drivers purchased from a third-party vendor. Second, I needed a new scanner and the replacement would be used even after the slide scanning project. Some scanning services charge over a dollar per slide, and even Memories Renewed’s relatively low price of ninety cents per slide eclipsed the price of a scanner. First, the number of slides-over a thousand-justified the purchase of a scanner. To zoom the thumbnails below, just click or tap on any of the images.I chose to do it myself because it satisfied several of my requirements. These Manchester bridges show how good this film can look under the right conditions, although the detail has disappeared in some of the white pipework. You can see the negatives look like soot and whitewash, so let’s have a look at the scans. The Washi S was developed in Rodinal, diluted 1 to 100, stand for 45 minutes. I used Nik & Trick Services Photographiques, to process and scan my film, as they hand process specialist films. The exterior exposures range were from 1/60th of second at f/2.8 to 1/8th of a second at f/8 but mostly at 1/30th of a second at f.4 – quite tricky to hand hold! Inside the science museum I gave a long exposure of the old computer, 4 seconds f8. Most of the film was exposed as suggested under dull, diffused lighting on a wet day in Manchester, England. I still got 36 exposures after firing the blanks. The datasheet suggests taking three blank images before starting your roll to avoid light piping through the polyester base. I shot the film in a Leica M2 with 50mm Summarit-M f/2.5 lens, metering at ISO 50 for the shadows. The lower image is the cinema release print which has been made using the sound recording and image negatives in a contact printing machine.įilm stock review: Three rolls with “Made in USA” Fujifilm 400 The digital tracks are the grainy looking stripes on either edge of the film and between the sprocket holes. The analogue being the black wavy lines on the left of the negative and the white wavy lines on the positive. ![]() The top image shows a sound recording film negative that has three different types of sound tracks, two digital and two analogue tracks. 35mm Cinema Sound Negative and Release Print Printing the sound tracks onto the release print ensures synchronisation with picture is always maintained. Light is projected through the optical tracks, picked up by sensors and converted into sound. What is sound recording film?Ĭinema release prints have optical sound tracks at the edge of the picture. The anti halation layer is between the emulsion and the base rather than on the back of the film to give high definition. The datasheet has a list of recommended processing times with various developers. The film is available as a bulk roll or in a recycled cassette (mine was Agfa Precisa). Washi suggest shooting in diffuse light to help reduce contrast. Stated ISO is 50, with very fine grain and very high contrast. The film’s maximum spectral sensitivity is 620 nanometres which means that it runs out in the orange sensitivity region. ![]() This sharpness is guaranteed by a special anti-halation layer located between the film’s base and the emulsion layer, while its usually in back layer for ordinary films.” Washi’s description of Washi S reads: “Film “S” is a film used by motion picture professionals for sound recording, an use which requires very fine grain and ultra high definition. The Film Washi S datasheet states that this is a panchromatic emulsion but not fully red sensitive. Film review: Film Washi S 50 ISO (35mm) black and white negative film - EMULSIVE Close Search for:įilm Washi S is a monochrome 35mm Sound Recording Film. ![]()
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